Eco Brick Instructions and T-shirt Designs in the Works

Eco Brick Instructions 2014 sThis is one of the drawings that I have made for the new eco-brick instructions that I am developing for all sorts of applications from business cards and stickers to social media and blogging. Below is the tentative t-shirt design which is available as one of the perks on my ongoing Crowdfunding Campaign to raise money for the Sustainable Cup Challenge DO School Fellowship in NYC. I intend to develop at least a couple more designs and give people the option to pick from a few.

new eco brick instruction shirts 2 bw sIf you would like to learn more about eco-bricks then check out the good work of Pura Vida Atitlan, Hug It Forward, and Ecobricks.org and read further below an excerpt from my Schumacher College MSc dissertation. Here is a bit of writing that I published about a year ago: “Behold, the humble eco-brick – a plastic bottle stuffed with all things non-biodegradable. Whilst the so-called revolutionaries burn tires, break things and produce massive mountains of smoking trash, hard-at-work others stuff the dread and wastage of the industrial machine into little bottles and build places of council and learning with them. This revolution is not fought with burning molotov cocktails poised for destruction, but plastic bottles eating trash in an act of simple implosion that brings together the disintegrated synthetics and threads of an unraveling global supply chain.What do you put forth into the world?”

EcoBrickIt Outlinebw s“A better method of containing the non-biodegradable waste stream is available, and to be found in the simple plastic bottle of which there is no end in sight. They are designed to be containment vessels, so it probably best that we use them as such.[1] This idea brings us to the eco-brick and the work of Pura Vida Atitlan of Guatemala and the other organizations and individuals worldwide who are stuffing their plastic waste streams into bottle bricks, preventing it all from wrecking pollution on their homes and utilizing the otherwise nocicycled† materials as beneficial building components. Certain groups have even gone to the extent of turning the trash of entire landfills into schools they couldn’t otherwise afford.[2]

My first encounter with the act of filling plastic bottles with trash took place many years ago on a backpacking trip in the Sangre De Christo mountain range outside of my hometown of Santa Fe, New Mexico. As we agreed with and were following Leave No Trace principles and practice to the best of our abilities, we were collecting all of our trash produced in a black sack that swelled to a substantial size. Wanting to save on space and do something around the fire, my friend John Armstrong began to stuff the whole lot of the trash into a one-liter sports drink bottle that we had. Instead of walking out with a substantially sized black trash sack full of trash, we walked out with a hardened bottle compressed to the brim.

Plastic Bottle BrickRediscovering this lost art of upcycling and considering it’s potential in building projects came to me just days before I departed to South Africa to conduct my dissertation research. I was excited to say the least at having found a simple solution to the question of what to do with “the rest of the stuff”. I was back in the area of Schumacher College and picked up the most recent copy of Resurgence where I quickly found an article by the environmentalist Nicola Peel whom I met last year at the College. I read of her work helping to clean up villages by spreading the simple wisdom of Pura Vida Atitlan, who have overseen and encouraged the creation of thousands upon thousands of plastic bottle bricks stuffed with all sorts of plastic trash to make walls, garden partitions, schools, and health centres for much cheaper than otherwise and of great benefit in the beautification of surrounding areas. [3] On PVA’s site I was awe-struck and inspired to find shot after shot of upcycled buildings going up and all of the smiling and stoked faces of the local people involved. I recognized quite quickly that this was the direction that I wanted to take the work in South Africa, and was deeply gladdened to have such an example to work from. It is home-made upcycling par excellence.” *

† [“We can use the word nocicycling to refer to any and all forms of waste management which cause harm (the prefix noci- comes from the Latin nocere meaning ‘to harm’). Unfortunately, most all forms of modern and industrial waste management, including most recycling practices, are in one way or another harmful to human beings and other species.”*]


[1]     Plastic bottles are the responsible elder siblings of the plastics family with arms big enough to hug and contain the rest of their unruly siblings.

[2]     HUSK Cambodia, http://www.huskcambodia.org/

[3]     Pura Vida Atitlan, http://puravidaatitlan.org/

* Extracted from pages 10 and 16-17 of Joseph Stodgel’s Schumacher College MSc Dissertation entitled Trash to Treasure: Making Rehabilitation a Celebration and Cultivating the Authentic Wholeness of Upcycling.

CROWDFUND AND SUPPORT THE FELLOWSHIP HERE!

Heart Wave Dorje Video and Description

This is a small video of a large Heart Wave Dorje from the beautiful hills of Colombia just North of Bogota. I have always been attracted to the dorje symbol and object from the time that I encountered it in use amongst Tibetan Buddhists. I started making my particular takes on them in early 2009 when I was living on the island of Oahu and going to school at the University of Hawaii in Manoa Valley, and the inspiration had come some months earlier when I was hiking on the Na Pali Coast of Kauai.

As I looked up into the twilight sky above the stretching ocean horizon where the sun had just set, I focused my eyes on several stars that had started to appear as the light drained from the sky. As I loosened my fixed gaze I saw a movement descend vertically between the stars and spin them into two separate sets. This created the essential form of the dorje before me. Then I noticed another movement that seemed the response of the spinning chambers; a horizontal, inward whirlpool force that seen from a distance created two heart-like shapes that met in the central spinning.

Once I had the time and wire at my fingertips, I began to make basically what I had created in my vision that day. The polarized hearts looked like lightbulb coils and it brought me great joy to make them. Since that first one I have probably only made about seven or eight others, but am looking forward to bending several more (smaller than the one in the video) as part of my Crowdfunding Campaign, currently live on Indiegogo.com

CROWDFUND AND SUPPORT MY NYC FELLOWSHIP HERE!

Charting the Life of a 5×5 Painting

Here are a few pictures from charting the trajectory of a 5×5 painting that I made in this last month for the Crowdfunding Campaign to raise money for my DO School Fellowship program in New York City.

First, I begin these pieces with the definition of a center line and a central circle made with a round object of some sort (don’t want a compass poking holes in my canvases). From there, I basically do the geometry from what looks appealing to my eye rather than using a mess of straight lines and rulers which tend to muck the pieces up and as well give them an “I made this with a ruler” kind of look.  I have tended towards making the straight lines a little more lively with just allowing myself to do the best that I can.

IMG_0751 hc s

Two triangles balanced on top of each other. A central octagon, and then the details of the outer layers of the cuboctahedron. Next, I reinforce and bolster the lines with permanent marker (a pile of which I have managed to accumulate in the last years) some of which remains through and through the later layers of paint that are applied to the piece. Ah yes – the application of color comes flooding into a part of the piece. In this case the sky takes on a rich blue, interspersed with left empty lines radiating from the star tetrahedron. IMG_0795 hc s

The background takes form with the contrast of cloud and sky, and the details of light rays and poofy shadows interspersed in the waves of water vapor. This piece defied my satisfaction for some time, sitting under a lamp and reminding me every time that I looked over that the conversation had just begun and that we had more to talk about. Eventually, I started to outline the cuboctahedron, creating sort of a magnetic tremor spreading from the geometry. IMG_1101 hc sAt some point the piece was done, or done enough, and I put it down for some time to enjoy its company. This all reminds me of Buckminster Fuller – how he said something to the extent of how beauty and aesthetics were what compelled him to know if what he had did was good. He said that if he arrived at something lacking in beauty, he knew that he had done something wrong / incorrect in his calculations and such.

Check out all the paintings in the series on the Crowfund the Fellowship: Paintings page.

CROWDFUND THE FELLOWSHIP HERE!

Jo’s Notes: Henri Bortoft at the Schumacher College, Sept 2011

Bortoft 1 s Bortoft 2 s Bortoft 3 s

These are some of my first Holistic Science notes that I took at the Schumacher College in Devon, England. The late Henri Bortoft joined us on our first week of focused study and took us on a journey through and introduction to phenomenology and the science of Goethe. These notes are a collection of the images and words that he shared with us and point towards topics and facts and ideas, yet defy a logical form of explanation.

Henri Bortoft was a massive inspiration for many of the students of the Schumacher College. I brought his work into many of the papers that I wrote during my year of study. This was especially the case with my dissertation where I related the concept of authentic wholeness to upcycling as well as community engagement and activism. Below you will find a link to the work of another project of mine that focused on music: a song that I wrote in tribute to Henri Bortoft and his ideas.

I will be drawing up similar notes during my upcoming fellowship program in New York City with the DO School, and sharing them every two weeks with my crowdfunding campaign supporters. Access the campaign here to learn out more.

https://soundcloud.com/schumacher-sounding/we-belong-already

The Crowdfunding Campaign for Jo’s NYC Fellowship is Alive!

The many hours of writing, painting, singing, bead-work, metal bending, web design, talking and editing, the crowdfunding campaign for my NYC Do School Fellowship has been released from my humming computer to the vast world of the wide web!

I am excited to post regularly during this month of crowdfunding with photos of the new paintings and artworks that I have made, samples of notes from past educational programs, a random video or song thrown into the mix, and some explanations for why I have chosen to focus on these certain offerings and styles.

Below and here you will find a link to the Indiegogo campaign, the links to the pages I have set up here onsite with a sampling of the artworks that I have made to exchange for your generous contributions, as well as some of the text from the campaign. Thank you kindly and please share it on your social networks and such!

Support and share the campaign at igg.me/at/jsto

PAINTINGS
5x5 TTP s

JOB’S TEARS
Job's Tear Square s

HEART WAVE DORJES
Heart Wave Dorje square s

Greetings! My name is Jo and I am from Santa Fe, New Mexico.

Two years ago I initiated work in South Africa to “upcycle” an old dumping site into the home of the Trash to Treasure Festivals. It is my passion to show people how they can use “trash” beneficially for the upliftment of their communities. I am also a passionate artist and am gladdened by the opportunity to make more art.

I recently was accepted to the Sustainable Cup Challenge Fellowship in New York City with The DO School. The main goal of the fellowship is to prepare and guide young entrepreneurs through the challenges of starting and sustaining a successful project in response to a pressing issue in their communities. I want to build upon the work that I have accomplished in South Africa and establish an eco-brick program in Santa Fe that addresses local plastic pollution.

Your contributions to this campaign will provide me with the support I need to participate in the NYC fellowship, to take my upcycling projects to the next level, and to produce a new series of artworks as well.

CONTRIBUTE TO THE CAMPAIGN HERE!